To daydream, to promise, to liberate

It’s 10:24PM, and I just finished sending a cover letter and book proposal to this contest. It’s the first writing contest that I’ve entered in…now that I’m counting…hey, twelve fourteen years. I was lucky last time, so maybe some of that luck will carry over to this time.

I’m excited (it’s out there!) and relieved (it’s out there!) and terrified (it’s out there!).

This is the second book proposal I’ve written. The first one was for my academic book. I may return to my academic book eventually. But by comparison, this proposal was so much fun, and so rewarding. I hadn’t realized that I really could write something before I’d written it. I have similar problems writing academic abstracts for conference papers: how do I know what I’m going to argue before I’ve argued it? So I usually need to write the entire paper first, then write the abstract. And, given that proposal deadlines are usually months and months before the conference, the timing of these two acts never works out very well.

With the academic book, I’d already written a full version of the project. So it was easier to write the proposal, knowing the chapter outlines, knowing most of the “through line,” having an academic monograph format to follow (introduction, 3-4 body chapters, conclusion).

But with this project, I have not written the book yet. I know its focus, and I have an idea of how it will be structured. At least for now. You can ask my students: I am a huge believer in (and preacher of) process, allowing the writing process to carry you where it will. That’s where the real insights and discoveries lie.

As I wrote this proposal, however, I was surprised at the book proposal genre’s ability to daydream, to promise, and to liberate, all at the same time. It opened watershed expanses of possibility. Could I do this? ventolin inhaler 100 mcg no prescription Sure. And if I could do that, why not this? It’s a creative work! The writing process actually can carry me where it will. To write the proposal is just that: it’s writing into possibility.

And, I realized, the proposal is a proposal: it’s not a contract. Maybe there are acres (if not oceans) of latitude between the proposal and the finished product.

I have had a hard time with uncertainty, but, as my sister pointed out to me, this is one of the first times in my life that I’m uncertain about my next steps, my next stage. I knew I wanted to major in English before I set foot on the Berkeley campus. I knew I wanted to teach before I finished college. I knew I wanted to be a professor before I finished graduate school. I landed my first teaching job right out of graduate school. To top it off, I’ve had the same lovely and amazing partner for almost 20 years, over half my life. A lot of my life has been stable, and well, I’m a Capricorn: driven, ambitious and goal-setting. Most of the time, I like it that way. And I know that I’ve been extraordinarily fortunate to have so much stability, especially with love.

On my best days, in my best moments, I know that this new uncertainty—like the creative process—could actually be good for me. Yet I know myself. There’s a strong possibility that what’s good for me, as with most people, is not always going to be what’s easy. That’s all right, though. Capricorns are used to hard work, and that’s usually where and when and how we thrive.

I just want to be strong enough, and graceful enough, and grateful enough to see this uncertainty as a privilege: to see uncertainty as freedom.

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